Welcome to rachelsays... The blog of Rachel Lewis, containing my thoughts and musings on illustration, design, fashion, music, cakey-bakey goodness, culture and things that I generally find cool. There's also a good chance my own illustration work will pop up on here.
All work on this blog is copyright to me unless I state that it isn't. Obviously. Don't do stealing, kids.
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This time last year, Augmented Reality was this hip new buzz word I'd just heard about and it seemed that everyone was whispering 'Is this the future??' in sci-fi voices. It's a groundbreaking piece of technology but a lot of people didn't quite know how to apply it, and brands weren't really sure what it could do for them. Cool for cool's sake, were a lot of people's first thoughts.
Now though, it's really beginning to pick up momentum, and perhaps it's now burst onto the mainstream with this week's Grazia Magazine doing a '3D' (term applied loosely...) issue.
I wrote about Augmented Reality and it's uses in a post I wrote a while back about my Ted Baker project. I (regrettably) never did submit that project to YCN because I got a full time job and that's against the rules :( My idea was great, as well. Yep, genius almost.
Anyway, the example that still stands out is Hugo Boss's augmented reality shop windows:
I liked how the technology takes the image of what you show to it, and manipulates it, moves it around etc, so that it looks like what you are holding is moving in front of you.
When I saw that Grazia were using AR, I assumed it would be a similar thing - hold the page up with all the fashion pieces and the page would come to life in your hands. It's almost that, but not quite. Instead of something like the Lego AR...
...Where the 3D image of the product seems to appear in your hands, instead the webcam/iphone app is activated by the little black and white logo, but then just reverts to a pre-made video which displays the content, with no interaction with your individual copy of the magazine. For example, on the cover, I thought that when you held it up, lovely Florence would dance about within the confines of the cover, weaving through the 150pt type and knocking silly subheadlines away with her mega-voice. But... not really. This is what happens when you hold your cover up:
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