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Welcome to rachelsays... The blog of Rachel Lewis, containing my thoughts and musings on illustration, design, fashion, music, cakey-bakey goodness, culture and things that I generally find cool. There's also a good chance my own illustration work will pop up on here.

All work on this blog is copyright to me unless I state that it isn't. Obviously. Don't do stealing, kids.

So come on in, have a look around, and leave a comment if you like what you see.

www.rachelsayshello.com
contact [at] rachelsayshello.com

Monday, June 21, 2010

New Work! Recipe Illustrations for Cleo Magazine Australia

This is awesomely exciting: I was contacted recently by the lovely people at Cleo Magazine, in Australia, who really like my recipe illustrations and wanted me to produce some more for a feature in the September issue! Amazing!

So I allowed them to reproduce two of my old ones, and did two new ones for them as well, which I want to post up here:


This recipe is one from my mum - she always makes this at BBQs and get-togethers etc and it's so amazing (as the title suggests), and pretty easy too. The feta and the capers make it stand out against shop-bought couscous, it's perfect for summer days!

 I've made this a few times and it is easy - the ready made cake mix is a bit of a cheat so sometimes I do make it from scratch. Using the orange juice instead of water is genius and they taste amazing - especially the next day when the orange zest has had time to sink into the icing and give it flavour.
 Nom nom nom.

So these illustrations will be in the September issue of Cleo, out in August. If (like me) you don't live in Australia then you won't be able to get your hands on a copy, but I have some friends in Oz who hopefully can send me it!

This is the first time my work has been published onto actual physical paper so I'm really happy. It's just on an exposure basis but who knows what could come from this? Good times! Thanks Australia, very random but cool!







Sunday, June 20, 2010

Rachel's Big Website/Wordpress Debate: To switch or not to switch?

This is going to a long-ish post so I apologise. It's one of my rare 'thoughts spilling out' posts but I'll try to keep it interesting. If you'd rather have pretty pictures then.... come back tomorrow.

I recently started subscribing to David Airey's brilliant blog and came across this article: Seven blog mistakes to avoid. I thoroughly recommend you go and read it (the whole blog, if you have hours to spare, or just that article) because it's great. And so useful if you write your own blog. It's started me thinking about this blog, and my website too, and now I have a big conundrum that I need your input on.

His first mistake in the article is 'not using a self-hosted blog.' Oops. I fail at the first hurdle. I've known for a while the benefits of hosting your own blog (you will actually own your content) and yet I still use blogger. Ol, faithful, annoying, uninspiring blogger. Why? Because it's safe. It works. And I'm terrified of moving! I wish I had started using wordpress, but I started this blog in 2007 and it was meant to just be a 'this is my work' blog. Obviously, it's a whole lot more now.

I own my own website - www.rachelsayshello.com and yet most of my hits come to this blog, not my website. Here are the pitiful stats: my website (which is basically just a static portfolio which gets updated say, once a month) gets about 6 hits a day, this blog gets about 40. Sometimes a lot more. Basically though, both are really bad. You do the maths! Surely it makes way more sense to host my blog on the same domain as my portfolio? My blog will do the work, being constantly updated with fresh content, and my portfolio will benefit from all the added exposure. At the moment, you have to click on a button over there ----> which takes you to my website; which at the moment is an external link. I've tried to link the two a bit more (the title of this blog is now rachelsays...) but this blog is still hosted at www.rachellewisillustration.blogspot.com, which is a mouthful and nothing to do with my website. And I'm paying for my spangly domain name. Why not use it as much as I can?

Mistake #4 from David Airey's post sums this up quite well: "When I launched my first website about two years ago, I wanted my portfolio to be its primary purpose, and the blog a secondary aspect. Then last year I discovered blogs. It didn’t take long to realise the number of clients I could attract first through my blog content, and then directing them to my portfolio. It’s generally the content I publish that attracts visitors, rather than the work in my ."

Which is exactly what I should be doing. I write about good stuff. I'm pretty cool, people subscribe to what I say here, they're vaguely interested in my point of view. So I'm missing a huge opportunity in that my work is not easily accessible right from here. And that also, this is clearly a blogger template. E v e r y o n e  uses this one because it's the least offensive. But it doesn't stand out! I'm a pretty unique girl, and this blog says 'hey, I use blogspot, cos I don't know nuffin about the mintynet' which isn't true.

So... the obvious answer here, is switch to wordpress (and I mean .org, not .com... download the template and install it in the root directory of my site). Move the whole shabang over to rachelsayshello.com, start again. Stop using indexhibit (it's great, but quite restrictive) and get a custom/nicer wordpress template over there. Make the blog content the primary landing page, and then all my portfolio work as a secondary, but still lovingly presented and relevant.

Sounds great! Except.....

1) I would lose all my SEO and links and everything. I would probably still keep this blog running but everything would die. I'd probably have to rebuild my subscribers again and I'd really miss you all if you didn't follow me over.
2) I know a teeny bit of html but no way could I deal with a custom wordpress thing, with code and all that. I could install it in my root directory, I'd get that far, then I'd have no idea.
3) This all sounds like it's going to take more than a sunday afternoon. I work full time. Help will be needed, help which I can't afford.
4) I'm scared of messing with things in case it all goes tits up.

So, I don't really know. I want to change things up, but I just really don't know where to start. There's a few peeps on my twittersphere who could probably give me advice but generally, I'd have to muddle my own way through. Argh. All I know is that the way things are is not really helping: I'm paying for a domain name which is getting less hits than my free blogspot page. And blogspot isn't really that cool.

Incidentally, my website is down right now and I have no idea why. Which is slightly worrying. I'm sure it's probably just godaddy being weird and it'll be back soon, but I don't like it. Make it come back!

What do you think, minions? Is it worth the hassle, to switch and be all spangly under one domain name, or just stick how I am and be all amateurish but safe. Your insights are very much welcomed, I am trés confused.

Turning Leaf and Basso & Brooke launch at the Shop at Bluebird

Last Tuesday I was invited to the private launch of the new Turning Leaf/Basso & Brooke collaboration of limited edition designed Wine Bottles and Interior Homeware. You might remember a little while ago I wrote about the collaboration here, and so I was really glad to have the opportunity to see the collection for myself. It really is amazing:

Basso & Brooke are well known for their amazing prints and fashion designs, and seeing their eye-poppingly colourful style (with the Turning Leaf logo/illustration and colour palette cleverly intertwined) on throws, cushions, tables, lamps... pretty stunning. I would kill to have any one of those items in my house - certainly a statement piece if ever I saw one! They are all available to buy apparently (huzzah!) but I overheard a woman saying that prices were around £9000.... so....yeah, that's more than half my yearly salary. I don't think so. In my dreams!

And so the evening was rather in that vein for me unfortunately; everything was in my dreams and out of my price range! The Shop at Bluebird is beautiful and full of amazing designer clothes (all in size 6 from what I could see...) but not one single thing in there could I afford. Boohoo. Except perhaps some of the art books lovingly displayed on the tables. While I wandered through the room with my (free, yay) glass of Turning Leaf Pinot Noir staring longingly at the goods on display, I realised slowly that I was in the world of Prada, but wearing Primark. To be fair though, the evening wasn't really centered around actually buying anything (thank god), just admiring the collaboration and chatting with cool people. It was a shame because my friend got food poisoning and had to pull out, so I'm sure I would have stayed a bit longer if I wasn't there on my own, but I just felt a bit strange amongst it all. We would probably have stood there pretending to be dotcom millionaires and loved being in that kind of atmosphere, soaking up all the designer-goodness aura. But alas. I just wanted to stare at the pretty Basso & Brooke collection all night and if I did that, I'd have looked weird.

The beautiful people. If you look closely you can see ether Basso or Brooke (I don't know which is which... that's terrible of me, I do apologise) admiring their handiwork.
And here they are with their lovely wine bottles. Suffice to say, I did not take this picture. I did see them milling around but was way too scared to actually say anything. I would probably just have said 'omg, you're like, so amazing, eeee' and ran away so it's probably a good thing I didn't.

It was really lovely to be invited (thanks Turning Leaf!) and was great seeing the collaboration firsthand. You just can't imagine the level of detail in the artwork... stunning.

Basso & Brooke and Turning Leaf Interiors Collection available from 15th June at The Shop at Bluebird for June, July and August. They are running the Turning Leaf complimentary bar, every Thursday and Friday 5 - 7pm, from June 17th until 30th July (my birthday... maybe I'll go back!) at The Shop at Bluebird. Check it out if you're ever near Kings Road, it's worth a gander.

Friday, June 18, 2010

Trend Watching: Animal Shape Clutch Bags

I've come across an interesting trend recently: Animal shape clutch bags! I know, amazing right? Firstly, I saw this post on Krisatomic's blog called Clutch Menagerie and just love love them. Check it out:


They are  by Tsurubride on Etsy and retail at $80. Check out Tsurubride's Orwell Clutch bags on Etsy here. She also does purses and other such wonderments.

Then yesterday I came across this amazing Dachsund Handbag via ArtatHeart:

Seriously cute. Click here for the original article about the Dachsund Handbag on ArtatHeart. It's made by Beetrootonline and is £85 - they also do a cute little birdy purse! Ah.

So what's sparked all this animal clutch-ness off then? Maybe it's that people are realising putting actual real dogs in your handbag is silly. And you get hairs all over your stuff. So a better option is to have your bag AS a dog. Excellent.

Or maybe it's this: These definitely wouldn't work as well if they had handles or straps. I think what makes these great is they could be mistaken for just holding a little stuffed animal. Which comes from the whole 'back to your childhood' trend going on right now. I am in favour of this.

The Domestic Sluts have just drawn my attention to this uh-mazing handbag:
Which, as they say in their Domestic Sluttery Bag Lust post, maybe only a child could pull off. Nay, I say to that, I would gladly pull this off and look crazy cool. If a little Gaga-esque. Which is never a bad thing in my books. Being a child has never looked so fun!

It's £65 from Lunacy Boutique and can be pre-ordered now for the end of June. I wannnnt one. *stamps feet*

Get on the wire and get your orders in! Aha. See what I did there.




Thursday, June 17, 2010

Exciting Happenings: My work featured on CourtesyoftheApocalypse Blog!

I'm having lots of exciting happenings recently. The lovely Laura aka JoiePR on twitter has just started the great Courtesy of the Apocalypse blog (sounds ominous... it's not! Just full of unsigned bands ~ music & reviews ~ independent businesses/shops ~ art & street art ~ alternative style ~ burlesque and other such awesomeness) and was kind enough to feature my work! :D

RachelSaysHello on Courtesy of the Apocalypse

"Rachel Lewis’s illustration and graphic design work is so imaginative and playful, it is guaranteed to rock your ankle socks. The use of hand drawn image and text within her work is beautifully unique, and the lady herself says that she is inspired by “culture, fashion, new media, music and the future.” Bedfordshire-based Rachel is also available to do custom work via her website http://www.rachelsayshello.com."


Well that's nice ^.^


I'm going to do a mammoth blog update/posting-stylee this weekend. I have SO many things to talk about and just NO time. How do other people with full time jobs manage to keep their blogs updated so frequently??


I guess they don't spend 4 hours on trains every day. Humph.



Tuesday, June 08, 2010

New music: Interpol - Self titled

"The month of September; summer ends, classes begin. The coming of a new season is in the air as autumn approaches. A time of year when the natural world slips into a slumber, and Interpol releases it's fourth studio recording. The self titled, self produced, long-player will be available world wide in mid September."



You don't know how long I've been waiting to read that! Interpol are one of (if not actual... tough call with MCR though) my favourite bands and I've been scouring the interweb for news in the past 6 months or so. Note to Interpol: you're really hard to search for when you share the name of a world-wide police organisation. Or maybe you meant that. You clever weird bastards.

So you can download their new song, for free from www.interpolnyc.com - it's called Lights and it really doesn't disappoint. Insanely melodramatic and melancholy lyrics in Paul Banks' gloriously baritone voice, with a guitar line that builds throughout the song to finally break the tension. That's what's so good about Interpol, that amazing ability to create tension within the songs; sometimes it breaks, sometimes it doesn't. What draws me, unquestionably, are the lyrics though. Beautiful in their ambiguity yet so accurate in their empathy, I literally can never get bored of deciphering them and extracting new meaning and relevances in my life. Because let's face it, that's what makes great lyrics; finding the representation of yourself in there. Plus I'm a massive emo, inside. And a little bit outside too.

Rumours are that the Interpol LP (eponymous, always a sign of getting back to your roots) is a return to 2002's Turn on the Bright Lights; which most fans seem to be pleased with. I'm not too bothered really; I love all the albums, although I actually prefer Our Love to Admire; mainly because of the edge of darkness in the song's themes and lyrics; it felt like an album of anger, of betrayal, of utter resignation to how things are. But then Bright Lights has of course the epic NYC and The New, two of my favourite songs. Basically; I'm happy either way. Give me a smattering of lyrics like 'I've had seven faces, thought I knew which one to wear; I'm sick of spending these lonely nights, training myself not to care...' and I'm off in my melancholic glee.
They're touring the UK in Nov/Dec and I'm going to see them on 6th December at Brixton. That's 6 months away. Sigh. They're one of the only bands in my music collection that I haven't seen live and I'm trés excited.  I think tickets are still available.

So we'll have to wait until September for new Interpol, until then, I don't think I'll grow tired of their back catalogue. So good.

Coveting: Hybrid love-child trainers AKA Topshop's Triple Cut Out Peep Toes

Not quite sandals, not quite canvas pumps... these seem to be the strange twisted love child of both of them. Maybe they had an illicit affair and these were the result.

 I love them. And at £20, I'm pretty sure my budget can stretch to that. Check them out on Topshop online here - they also do black but I much prefer white. I'd quite like to get the ol' markers out as well and do a bit of colouring in on them as well actually.

I imagine they're great as transitional shoes (which I'm needing today - massive rain storms then bright sunshine? An outfit's worst nightmare!) because I live in flip flops most of the summer but sometimes need something a bit more sturdy. Like yesterday, I slipped down a couple of stairs in my shiny flipflops. Never good.

I'm going into the West End on thursday after work I think, so I'll hunt them down then. I hope they don't sell out (they are rather cheap...) and size 5 is pretty much the most common size! Damn me for having mainstream feet. I'm sure they have lots though.

Sorry for the lack of insightful, thought-provoking and riveting posts recently; I've discovered continuous blogging and a full time job don't mix. Not like Sandals and converse, oh no.

Tuesday, June 01, 2010

Harvey Nichols window in The Mailbox, Birmingham

On saturday I took the train back up to ye olde Midlands (as is customary for me) for a friend's birthday. It was at The Mailbox in Birmingham, which for those who have never been, is very nice. High end shops, with restaurants and bars. You are led there from New Street by abstract lines in the floor:


Which join from sporadically-placed lamposts. Honestly. It's pretty weird, but nice, you definititely don't get lost!
It's also very pretty, especially later on in the dark; this is the walkway up to The Mailbox. Pretty.

So when I came across the Harvey Nichols window, I loved it. They've got the safari theme going on, but to the extreme! I can't even begin to think about high their budget is; they look like bespoke mannequins to me. Behold:
Hundreds of small wooden blocks that make up the lunging panther-type thing. She doesn't look very worried.
The eye is made from coins! I think they're real. Nice touch. That crocodile is just breathtaking, a futuristic space-age safari.
I love the mannequin's silver hair and skin, and amazing eye makeup. The faces look so real.

They're just nonchalently hanging out with zebras, letting them eat strange paper rags, you know. As you do.

That elephant was insane. So huge, really nice. Strange cling-film-esque set up but it was kind of nice. A subtle nod to captivity? Perhaps.
Amazing. Really inspirational window.